What are the types of copyright holders and what is the copyright content?

What are the types of copyright holders and what are the contents of copyright? Regarding this issue, the editor of Legal Savior Network has compiled information on this issue for you. If you want to know about the types of copyright holders and what are the contents of copyright, if you If you want to know, please read with the editor, and I will answer it for you immediately. Follow the editor of the Legal Savior Network and read below.

1. What are the types of copyright holders

(1) Author, completed work people.

(2) Other citizens, legal persons or other organizations that enjoy copyright in accordance with this law. That is, citizens, legal persons and other organizations that do not participate in the creation of the work but inherit the copyright.

2. What are the contents of copyright?

Copyright is divided into personal rights and property rights. Specifically, they include:

(1) Right of publication, that is, the right to decide whether the work will be made public. It also includes the right to decide in what form and when and where to publish.

(2) Right of signature, that is, the right to indicate the identity of the author and sign his name on the work. The author has the right to sign or not to sign; he has the right to sign his real name or his pseudonym (pen name). Authors also have the right to prohibit others from signing their works.

(3) Right of modification, that is, the right to modify or authorize others to modify the work. Whether to modify, how to modify, and whether to authorize others to modify should be based on the author's wishes and should not be forced.

Modifying a work is different from adapting a work. The modifications mentioned here are partial changes to the content of the work and corrections to the text and terminology. Adaptation refers to changing the work from one type to another without changing the basic content of the work (such as adapting a novel into a movie script), or changing the genre of the original work without changing the type (such as turning a scientific monograph into a novel). Rewritten as a popular science book).

(4) The right to protect the integrity of the work, that is, the right to protect the work from distortion or tampering. Authors have the right to protect their works from being vilified by others, from deletions, additions or other damaging changes that go against their ideas. The significance of this right is to protect the author's reputation and reputation and to maintain the integrity of the work.

The right to protect the integrity of the work and the right to modify are interrelated. Infringement of the right to modify often also violates the author's right to protect the integrity of the work.

(5) Right of reproduction, that is, the right to make one or more copies of the work by printing, copying, rubbing, recording, videotaping, ripping, or photocopying, etc. ;

(6) Distribution right, that is, the right to provide originals or copies of works to the public by selling or donating them;

(7) Rental rights, that is, the right to license others to temporarily use film works, works created with methods similar to filmmaking, and computer software for a fee, unless computer software is not the main subject of the lease;

(8) Exhibition right, that is, the right to publicly display originals or copies of art works and photographic works;

(9) Performance rights, that is, the right to perform works publicly and publicly broadcast the works through various means;

(10) Screening rights, that is, through projectors , slide projectors and other technical equipment to publicly reproduce art, photography, movies and works created by methods similar to filmmaking.

(11) Broadcasting rights, that is, the public broadcast or dissemination of works by wireless means, the dissemination of broadcast works to the public by wired dissemination or rebroadcasting, and the The right to disseminate broadcast works to the public through speakers or other similar tools that transmit symbols, sounds, and images;

(12) The right to disseminate information networks, that is, through wired Or provide the work to the public wirelessly, so that the public can obtain the rights to the work at a time and place of their own choosing;

(13) Filming rights, that is, to The right to make a movie or fix the work on a carrier in a similar way to making a movie;

(14) The right to adapt, that is, to change the work and create something original The right of a new work;

(15) Translation right, that is, the right to convert a work from one language into another language;

(16) Right of compilation, that is, the right to assemble works or fragments of works into new works through selection or arrangement;

(17) Other rights that should be enjoyed by the copyright owner.

The four rights mentioned above, including the right to publish, the right to sign, the right to modify, and the right to protect the integrity of the work, are generally considered to be personal rights of copyright. The Berne Convention only clearly stipulates two moral rights: the right to the identity of the work and the right to protect the integrity of the work, which the author still enjoys even after he transfers his economic rights.

Reproduction rights, distribution rights, rental rights, exhibition rights, performance rights, screening rights, broadcast rights, information network dissemination rights, filming rights, alteration rights, translation rights , compilation rights, and other rights to receive remuneration that should be enjoyed by the copyright owner, belong to the property rights of the copyright.